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You met him?" And I'm like, "No man." "All right, well just stay there." I was in the studio with 40 just working on some stuff, and out of nowhere, 40 is just like, "Drake's coming. You need to really make your way through so they trust you enough to be in a room with him. They have this chemistry where they trust each other, so there's not really a place for other people yet. Most of the time when he's in the studio, he's only with 40. The day I met Drake, I made "Weston Road Flows." Drake is so busy, as you can imagine. When did you first meet Drake, and what's he like? And I guess he trusted me from the music. I was like, "Man, what if he doesn't like me? What if I'm weird, or not good enough?" You always have these questions. He signed me without knowing me, just from the music. I never really talked to him on the phone. And what's crazy is he signed me but we never really talked. I was just like, this is Christmas.Īnd then later, after that, he literally gave me a key to the studio. I didn't even know how these things worked. Because I came to the studio straight from my bedroom, right? And I had never been in a studio before, and the first studio I see is 40's latest, most modern studio. He showed me the studio, and it was the craziest studio.
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It's a little bit outside of Toronto, the studio where they made most of VIEWS. Straight from the first day I met him, I could tell we were going to get along.Īt his house, where his studio is. When I met 40, he made me feel really comfortable. I read some stuff where for Nothing Was the Same they were sleeping in tents. When he first hit me up, I didn't know what to expect at all. I want to bring you out to Toronto and sign a publishing deal and help me out on VIEWS." And I took my luggage and I left. One day, he hit me back and he said, "I really like what you sent me. I kept on sending stuff, and then eventually I sent him that beat tape, and then for two months he disappeared. He hit me and he was like, "Hey, if you have anything for Drake or Party, I would really like to make it happen." But that was nothing sure. So I looked for his name and his story and I was like, "My god! He's important! He's Drake's main producer." That was like two years ago. He's not really about interviews and stuff. I was like, "He looks important," but I didn't really know. He started following me, and I didn't even know who was 40 back then.
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I had this beat tape and I didn't do anything with it, but then one day 40 just DMed me on Twitter. And I made a mixtape, Ninety Two, where it's beats that are inspired by that. Nothing Was the Same was one of my favorite albums ever. On my side, I was getting really into Drake's music. I know they kept going back and forth with Will, but not really. So then Will passes your stuff along to 40-Īctually, not even! 40 hit me up out of the blue. But it was just crazy going from nothing to that, within a couple of weeks or months. I really enjoyed it, and I still enjoy it. It was weird, man! I never really thought about DJing or anything like that. I was somewhere in the Netherlands, and I played this big festival with Major Lazer and HudMo. So, in 2013, you found yourself opening for Hudson Mohawke. And then he found my stuff, and he was like, "Oh, this kind of makes sense," and he sent it back to Oliver. He sent them some stuff from Kaytranada, but that wasn't really what they were looking for. He was already in contact with the OVO people, like Oliver , and they were looking for some stuff back in the day for Nothing Was the Same. One of his roommates sent him the first EP that I made, called Beyond.
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So I had to learn how to DJ on the road, too. I kept on producing stuff on SoundCloud, and at the same time I would travel and play DJ sets. Right after that, we started booking some shows. He told me to come there so I met Kay and him. He was coming for Kay's show like three years ago at this festival in France.